Tuesday, 5 June 2018

King's College Cambridge Appoints New Director of Music

Daniel Hyde will from Michaelmas term in 2019 be the Director of Music of what is probably the best known English choir in the world: that of King's College in Cambridge.

In November 2015, the author of this blog paid a visit to Magdalen College, Oxford, where Mr Hyde was the incumbent, shortly before his move to the Big Apple.

At the time, I posted part of the Faure Requiem sung by the choir for All Souls' Eve, noting that "The choir was in good voice, producing a very natural sound not too dissimilar to that cultivated by George Guest when director at St John's College at The Other Place."

By the choir, I was referring particularly to the trebles. Since his appointment to King's, the media has taken an interest in something Mr Hyde was quoted as saying in the New York Times almost exactly a year after my blog post (Nov 2016), Mr Hyde having now been appointed St Thomas' Fifth Avenue. From the relevant article:
"During his time at Cambridge, he said, he sometimes found the King’s College Choir stifled by the weight that rested on such a storied ensemble, its work familiar to millions through annual Christmas radio broadcasts. He found himself attracted to the choir of St. John’s, a neighboring college.
“It wasn’t just the buildings,” he said of the difference in sound between the two choirs. “I think there was a freedom of expression at St. John’s because there wasn’t the pressure of expectation. So I tried to soak both those things up, and wherever I’ve gone since I’ve tried to mix that detail and accuracy of King’s with that more open-throated, expressive, musically phrased singing of John’s."
So I wasn't making it up! He is going for the John's sound. In my opinion, it's a slightly older John's sound, which is not necessarily a bad thing (the current sound is magnificent, but in a different way).

The one comment I would make is that I'm not so sure that John's didn't also have the "pressure of expectation". Other English Cathedral and College choirs have had prolific recording and performance programmes over the last 50 years, but perhaps none so much as St John's College Cambridge (not even the Abbey, New College, Christ Church or Winchester). It had recording contracts with many of the biggest labels (including Decca and EMI). So Hyde's explanation for John's different, more liberated style of singing is perhaps a little overstated.

Elsewhere, Hyde has spoken of how King's has not always sounded so clipped. Personally, I consider that the King's sound has changed quite a lot between directors of music, and even during their own tenure. For instance, Sir David Willcocks often had the choir sounding a little hooty, but on other recordings fulsome and continental. His recording in 1971 of the Palestrina Missa Papae Marcelli and Missa Brevis remains, for me, one of the very best.



Hear for yourself again the beautifully natural sound Magdalen College were producing under Hyde in late 2015, perhaps a good indication of the sound-world to which the new King's maestro will want to take his new choir:


I wish Mr Hyde the very best in his new position, and look forward to many years of glorious singing from the Choir of King's College.

Saturday, 19 May 2018

Music from the Royal Nuptials

The Choir of The Queen's Free Chapel of St George, Windsor Castle, was in sublime form for The Wedding. Below, listen to them sing If Ye Love Me by Tallis, and Guide Me, O Thou Great Redeemer with a stonking descant written by the Director of Music, James Vivian, and brilliant organ accompaniment. Thanks to Sky News for that bit of truly important information. I watched the BBC broadcast live and no mention there of the descant ... it really was a woeful performance by the BBC (granted, ITV were worse). Instead, the BBC gave us all sorts of other information: And that lady in green is HM The Queen (gosh, really?) And she was wearing stockings designed by X. I ask you, inanity taken to absurd levels.

The Bride impressed greatly with her respect for the choir - she took the time to look sideways at the choir when they were singing. What beautiful manners.




Sunday, 4 March 2018

And finally, Lassus, Victoria & Palestrina from King's College, Cambridge

I was privileged to attend this broadcast ... opportunities to see Cleobury in action in such situations will diminish, as he has announced his retirement, to take effect next year.

At last week's evensong, we heard an extract from a setting of the Stabat Mater of Lassus, Palestrina's glorious setting of the same work, and settings of the Magnificat and Nunc Dimittis by T.L. de Victoria.


Ash Wednesday Evensong from Oxon. (New College)

Allegri's Miserere (with trebles dynamically improvising in place of the usual static run of "high Cs" - though we do get some of these as well, even two at once) at the Ash Wednesday Evensong from New College, Oxford under Quinney. My word the men sing the chant parts superbly. And here is a clip of Palestrina's motet Peccantem me quotidie:


Sheppard from Oxon. (Magdalen)

A clip from Evensong a few weeks ago, broadcast on BBC Radio 3 - John Sheppard's Gaude, Gaude, Gaude Maria.


Byrd 3 from Cantab. (John's)

St John's College, Cambridge are not unique in making their sung services available as web-casts, but I have yet to find a college who makes it so easily accessible (and easy to skip to different parts of the service). Here the Gentlemen of the Choir beautifully sing the Byrd three part Mass, and Durufle's Ubi Caritas.

Of particular importance, we hear the polyphonic Credo and Sanctus - what a shame these are "forbidden" (or as good as) in the Roman Rite.

Sung Eucharist - 18 February 2018 | The Choir of St John's College, Cambridge

Friday, 27 October 2017

Sistine Chapel Choir shines in new Christmas CD

The Sistine Screamers, as this choir had in recent decades (and not unfairly) been nicknamed, has been completely re-built and scarcely resembles its (recent) former self. It has now made a handful of recordings with the august Deutsche Grammophon, each release providing further evidence of this choir's total transformation from cacophonous rabble to an elegant, refined and homogeneous chorus angelorum, and it is well on the way to becoming a truly top-shelf liturgical choir (again), as one would expect of the pope's own choir! DoM, Monsignor Palombella explains, in the videos below, a bit about the choir's present day incarnation (for instance, the choir now employs professional men from around the globe, and the boys' singing schedule seems to be rigorous indeed). Added to which, the DoM seems to be in the habit of exploring the Vatican's musical archives for long forgotten manuscripts. How nice to see, also, that composers other than Palestrina (and Perosi) are now again given prominence by this choir. Wonderful indeed to hear. I'll certainly be hoping for this latest CD in my stocking!